Two films of Cannes’ ‘Critics Week’ explore the significance of inanimate objects Tuesday, July 06, 2010 - Powered by Review Matthew Mosley Daily Star staff BEIRUT: Using the eyes of a child to view the corrupt world of adulthood is a recurrent theme through all manner of artistic media. A classic case in point is Henry James’ 1897 novel “What Maisie Knew,” which relates the experience of a girl as she is shunted between divorced parents, her innocence a contrast to the...
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